"Lady Howard"
The text of this ballad is taken from Sabine Baring-Gould's Devonshire Characters and Strange Events (London: John Lane, 1908). Baring-Gould, who had first published this ballad in his music collection Songs of the West (1891), reports that there was a real Lady Howard who, after disinheriting her children, acquired a reputation for being "hard-hearted" — a reputation that grew to supernatural proportions, as Baring-Gould goes on to explain:
Lady Howard was a person of strong will and imperious temper, and left a deep and lasting impression on the people of Tavistock. . . . She bore the reputation of having been hard-hearted in her lifetime. For some crime she had committed (nobody knew what), she was said to be doomed to run in the shape of a hound from the gateway of Fitzford to Okehampton Park, between the hours of midnight and cock-crowing, and to return with a single blade of grass in her mouth to the place whence she had started; and this she was to do till every blade was picked, when the world would be at an end.
"Dr. Jago, the clergyman of Milton Abbot, however, told me that occasionally she was said to ride in a coach of bones up West Street, Tavistock, towards the moor; and an old man of this place told a friend of mine the same story, adding that 'he had seen her scores of times.' A lady also who was once resident here, and whom I met in company, assured me that, happening many years before to pass the old gateway at Fitzford, as the church clock struck twelve, in returning from a party, she had herself seen the hound start."
When a child I heard the story, but somewhat varied, that Lady Howard drove nightly from Okehampton Castle to Launceston Castle in a black coach driven by a headless coachman, and preceded by a fire-breathing black hound that when the coach stopped at a door, there was sure to be a death in that house the same night. There was a ballad about it, of which I can only recall fragments." (209 - 210).
From those fragments Baring-Gould reconstructs the ballad as follows:
My ladye hath a sable coach,
And horses two and four;
My ladye hath a black blood-hound
That runneth on before.
My ladye's coach hath nodding plumes,
The driver hath no head;
My ladye is an ashen white,
As one that long is dead.
"Now pray step in!" my ladye saith,
"Now pray step in and ride."
I thank thee, I had rather walk
Than gather to thy side.
The wheels go round without a sound,
Or tramp or turn of wheels;
As cloud at night, in pale moonlight,
Along the carriage steals.
"Now pray step in!" my ladye saith,
"Now prithee come to me."
She takes the baby from the crib,
She sits it on her knee.
"Now pray step in!" my ladye saith,
"Now pray step in and ride."
Then deadly pale, in waving veil,
She takes to her the bride.
"Now pray step in!" my ladye saith,
"There's room I wot for you."
She wav'd her hand, the coach did stand,
The Squire within she drew.
"Now pray step in!" my ladye saith,
"Why shouldst thou trudge afoot?"
She took the gaffer in by her,
His crutches in the boot.
I'd rather walk a hundred miles,
And run by night and day,
Than have that carriage halt for me
And hear my ladye say—
"Now pray step in, and make no din,
Step in with me to ride ;
There's room, I trow, by me for you,
And all the world beside."