Features a biographical note and brief discussions of various aspects of her works. An excellent starting point... [Victorian Web]

Good overview; ignore the picture. [Gothic Experience, Lila Melani, CUNY-Brooklyn]

by Rictor Norton (Leicester University Press, 1999)

Includes bibliograpies. Recommended. [Ruth Facer, Chawton House Library and Study Centre]

Overview of Radcliffe's work and cultural context. (Note: the image of Radcliffe on this page is not, in fact, Radcliffe, of whom no likenesses are known.) [Lilia Melani, CUNY - Brooklyn College]

Remarks about Radicliffe's life and works are interspersed with quotations from her novels. [Keith Parkins]

[Wikipedia]

[Biography Base]

[Penguin UK]

[Gothic Labyrinth]

Another site with a spurious picture.[NNDB]

by George Saintsbury, from The Cambridge History of English and American Literature (1907-1921) [Bartleby.com]

[Columbia Encyclopedia, Encyclopdia.com]

[John W. Cousins, A Short Biographical Dictionary of English Literature, 1910]

Bibliography of useful Radcliffe sources, both hardcopy and web. [Infography]

Very brief list of links and titles. [San Antonio College LitWeb]

[FantasticFiction]

Part of the The Victorian Literary Studies Archive, this concordance allows you to search the etext of Udolpho.

yes, apparently they read Udolpho...

For more Romantic-era discussion of supernaturalist literary theory and practice, check out Anna Barbauld's "On the Pleasure Derived from Objects of Terror, with Sir Bertrand, A Fragment," John Wilson's "Some Remarks on the Use of the Preternatural in Works of Fiction," and Sir Walter Scott's "On the Supernatural in Fictitious Composition."

While not in and of themselves "gothic," Radcliffe's poems originally appeared in her (explained supernatural) Gothic novels. The poems are here presented in their original context. [Michael Gamer, U Penn]

by Anthony Mandal [Cardiff Corvey: Reading the Romantic Text 3: Sept. 1999]

by Diane Long Hoeveler (Penn State UP, 1998). Reviewer: Deborah Kennedy [Romantic Circles]
The same title is reviewed in Romanticism on the Net. Reviewer: Lauren Fitzgerald
This book devotes two chapters to Radcliffe: one to her early, one to her later Gothics.

These brief treatments are part of The Gothic: Materials for Study  (UVa) project

Long attributed to S. T. Coleridge, but not widely believed, now, to be by him. [Michael Gamer, UPenn]

by George Saintsbury, from The Cambridge History of English and American Literature (1907-1921) [Bartleby.com]