Ingoldsby, Thomas

1788 - 1845

An early Victorian parodist best known for his humorous verse and fiction, "Thomas Ingoldsby" was the pen name of the writer and Anglican priest Richard Harris Barham (and is now the name of an insufficiently respected pub in Kent). Much of his work was published in Bentley's Miscellany, a popular weekly magazine of essays, poetry, and fiction; Bentley also published a collection of Ingoldsby's material, The Ingoldsby Legends; or Mirth and Marvels, which went through numerous editions in the mid- to late C19, suggesting a considerable popularity. Ingoldsby's work (and the public reception thereof) should be considered part of the (very) early Victorian repudiation of Romantic excess, a repudiation that often took the form of parody or satire; another satirist of the time who frequently targeted the Gothic was Thomas Love Peacock. Of course even earlier writers were having fun at the Gothic's expense; see, most notably, Jane Austen's parody of Gothic novels, Northanger Abbey.

Sites:
Biographical note
Essentially the same as the entry below. [Wikipedia]
Brief biographical note
[1911 Encyclopedia]
Brief biographical note a LitGothic etext
[John W. Cousins, A Short Biographical Dictionary of English Literature, 1910]
Brief biographical noteling
[Columbia Encyclopedia, Bartleby.com]
Richard Harris Barham, d.b.a. Thomas Ingoldsby


Etexts:
"The Ghost (16K)  a LitGothic etext
A poetic Gothic parody, somewhat along the lines of Robert Burns' "Tam O'Shanter.
-- illustration
"The Grey Dolphin" (52K) a LitGothic etext
"The Lady Rohesia" a LitGothic etext
A romance spoof, though its death-bed setting (well, sort of — this is Ingoldsby, after all) gives it a hint of the Gothic. (20K)
"Mrs. Botherby's Story" [1840] (72K) [Gaslight]
More commonly known as "The Leech of Folkestone"
"A Singular Passage in the Life of the Late Henry Harris, Doctor in Divinity" a LitGothic etext
A rather uncharacteristic work, for this is no parody or gently humorous treatment of the Gothic, but the real thing, straight-up horror involving magic and misogyny—and, perhaps quite tellingly, even more than the usual layering/distancing devices. (54K)
"The Spectre of Tappington" [1840] (67K) [Gaslight]
Could this be Ingoldsby's most well-known story? It was the opening work in many editions of The Ingoldsby Legends, which suggests so. It is certainly very characteristic of Ingoldsby's humorous parodies: a troubled family history, mysterious doorways, a midnight ghost, and—most horrifying of all—missing pants!
"The Jackdaw of Rhiems" (9K)  a LitGothic etext
Not a Gothic parody, this comic poem shares with much Gothic fiction a certain measured distrust of Catholicism. illustration

"Thomas Ingoldsby."